Monday, March 26, 2012

Portrait Lighting, Part 3

Low Key Lighting

Dark background. Create an image where the figure feels like it is emerging from the dark, using focused lighting to create strategic highlights to delineate forms.

Consider and try:

  • Profile, lit with single light. Try grid, diffused grid, softbox. Profile often work better with a slightly lowered camera position (shooting at slight angle up), to separate head from shoulders
  • Front, broad or short with a grid spot. Also try with other light sources
  • Front, broad, short or profile with right lighting and/or kickers
  • Try some other arrangements you invent....

High Key Lighting

Light or blown-out background. Usually soft rendering of skin, uniform tones, in a bright, airy scene. Many fashion is shot this way.

Consider and try:

  • "beauty" or "butterfly" lighting. (Why is it called butterfly?) Try a single softbox placed above the camera, with a reflector below. Essentially, the diagram on pages 220 & 221. Also try twin umbrellas, forming a "wall of light"
Try variations, and then refine the best for one high key, and one low key, portfolio image.




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